![]() ![]() I tend to make changes to the way I’m writing the story, not to the story itself. I’ve never changed the overall architecture of a novel in the middle of building it, but I make changes when I find a better way to do something, a more effective way of moving the story along or creating tension or providing a window into motivation or character. Other approaches work well for other writers. That method suits me and has done for fifteen years as a full-time professional. That means the initial writing is quite slow, but there’s not a lot of re-drafting needed later. When I’m ready to start, I don’t do a quick and dirty first draft, I write a few chapters at a time, then edit them before I move on. I prepare outlines and synopses and chapter plans. I’m one of those writers who plan things out in some detail before they start a new book. The deadline is getting uncomfortably close. I’m writing the last part of a novel with the working title Caller, part three of the Shadowfell series of historical fantasy books intended for a YA/adult crossover readership. For now, let me fill you in on the current state of my work in progress. She can make them do and think and say what she wants all the way through the story. ![]() Characters come from the mind of the writer, where else? The writer invents them, so they dance to her tune. ![]() What’s this? Me, the arch-planner, admitting that my characters sometimes have a will of their own? I’ve always dismissed that idea as nonsense. ![]()
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